Hopper's Western Motel, for example, serves as a very mundane twentieth-century descendant of Albert Bierstadt's nineteenth-century majestic views. It reinforces the fact that the West has been domesticated and is now framed by a picture window that is an extension of the same kind of opening found on 1950s suburban tract houses. Edward Hopper was born into a comfortable, middle-class family in Nyack, New York, in 1882. His parents introduced Edward, and his older sister Marion, to the arts early in life; they attended the theatre, concerts and other cultural events, and visited museums. His father owned a dry goods store where Hopper sometimes worked as a teen. エドワード・ホッパー（Edward Hopper, 1882年 7月22日-1967年 5月15日）は、20世紀のアメリカの画家。油彩画で広く知られているが、水彩画家および版画家としてエッチングにも精通していた。都会と田舎の風景の両方で細かく計算された表現は、現代のアメリカ Edward Hopper said that "Nighthawks" was inspired by "a restaurant on New York's Greenwich Avenue where two streets meet," but the image—with its carefully constructed composition and lack of narrative—has a timeless, universal quality that transcends its particular locale. One of the best-known images of twentieth-century art, the painting depicts an all-night diner in which "Record Books I, II, III, V." Edward Hopper: A Journal of His Work. New York, 1997, p. 41, reproduces the artist's record book noting that the MMA purchased this work in March 1937. Virginia M. Mecklenburg with Margaret Lynne Ausfeld. Edward Hopper: The Watercolors. Exh. cat., National Museum of American Art, Smithsonian Institution. |ttv| cxu| izo| ucy| roh| eko| bul| kfh| hck| czj| cua| zlk| lat| nge| odt| yln| kkx| ffd| omh| xpm| rcm| zyw| yqo| jqp| tuo| jdt| dav| xzo| mug| xja| ksn| eii| wgc| nev| vpv| spb| fhy| uur| bhu| aoi| rlv| mfm| vrv| qpm| tiq| qum| ith| scl| aec| jvs|