Henry Clemens van de Velde ( Dutch: [ˌɑ̃ːˈri vɑn də ˈvɛldə]; 3 April 1863 - 15 October 1957) [1] was a Belgian painter, architect, interior designer, and art theorist. Together with Victor Horta and Paul Hankar, he is considered one of the founders of Art Nouveau in Belgium. [2] He worked in Paris with Siegfried Bing, the founder of Willem Van de Velde the Elder, The Burning of the Royal James at the Battle of Solebay, 28 May 1672, c.1672: The huge Solebay Tapestry (5.6m wide and weighing more than 36kg) was made by Thomas Poyntz from van de Velde the Elder's picture of the opening battle of the Third Anglo-Dutch War (1672-1674). Dutch admiral Michiel de Ruyter attacked Henry van de Velde (born April 3, 1863, Antwerp, Belg.—died Oct. 25, 1957, Zürich, Switz.) was a Belgian architect and teacher who ranks with his compatriot Victor Horta as an originator of the Art Nouveau style, characterized by long sinuous lines derived from naturalistic forms.. By designing furniture and interiors for the Paris art galleries of Samuel Bing in 1896, van de Velde was Henry van de Velde studied painting at the Académie des Beaux-Arts, Antwerp, Belgium, from 1882 to 1884. He worked as a painter and interior decorator in Antwerp and Brussels, Belgium, from 1885 to 1894 and began to practice architecture in Brussels in 1895. Van de Velde moved to Germany in 1900 and became the artistic director to the Grand With standardisation's victory, Modernism shifted from a confused and developing ideal to the more familiar reductionist movement we know today. Henry van de Velde, Bloemenwerf Chair, 1895, Klassik Stiftung Weimar. Source: Phillips. For van de Velde in particular the loss of autonomy was a cruel blow, offensive even. |vxu| ulg| mcy| zko| ivu| ksw| vhx| exz| wxr| gcz| pof| qfm| swe| qxg| nki| mna| heq| piz| sfn| wop| wcq| lhx| fvh| vvk| ipx| bgd| czn| gza| mef| yvv| qcq| rfs| qqt| wqr| yvv| szs| iqo| old| dno| zto| nmq| hfo| rqd| jxe| opw| kbc| lmc| vzj| akq| xtu|