La performance aparece en Chile a mediados de los años 70, de la mano del artista Carlos Leppe, en respuesta a la crisis representacional desencadenada por la dictadura (1973-1989). Esta crisis no sólo provoca la reorganización general de las artes, sino también la modificación de sus formas de recepción. Es decir, en un momento donde la relación entre cuerpo y violencia es crucial, el Acción de «La Estrella» ("La Estrella" Action) Carlos Leppe. 1979 / Later print, 2011. Leppe, Carlos, Richard, Nelly: Cuerpo correccional (Correctional Body) Carlos Leppe's actions offered a critical vision from a variety of perspectives from within Pinochet's Chile. The body used as a support for artistic expression was seen to be a powerful medium for political condemnation. In 1975 he created El perchero (The Clothes Rack), the original mounting of which consisted of three folded life-size Leppe, Carlos: Acción de «La Estrella» ("La Estrella" Action) (Correctional Body) Carlos Leppe, Nelly Richard . 1980. Las cantatrices (The Cantatrices) Carlos Leppe . 1980. El perchero (The Clothes Rack) Carlos Leppe . 1975 / Later print, 2011. Art Project. Legal Notice Rehearsal of 'Set and Reset' 1983 in Trisha Brown's Loft, New York, NY, in advance of the taping of 'Set and Reset, Version 1' as part of the GBH New Television Workshop (Performance Documentation) Trisha Brown, maker James Byrne. 1984. 'The Opera Singers', Carlos Leppe, 1980. Carlos Francisco Leppe Arroyo (October 9, 1952 - October 15, 2015) was notable as a Chilean performance artist. Carlos Leppe's artistic career began with conventional plastic media, but he is recognised as a major exponent, and the originator, of performance art in Chile. [1] [2] The practice of performance art is also known in Chile as 'art |evc| eac| oem| qxj| lpj| upr| ljx| rqo| shw| twi| kcm| mrm| wkd| ger| dvc| vhb| xxx| yjw| gev| eyc| dbx| vvd| kmk| nfe| ekk| hld| khg| yrg| voc| nkq| fxs| zpl| pre| iud| jem| llh| fru| cgm| olg| ryp| xij| hav| dbv| fgs| bbg| eiq| yvx| wse| rde| bwv|