Further interest lies in the dichotomy between the apparent complexity of notation in the works of the Ars subtilior, similar to that found in many contemporary scores, and a rather simpler notion of aiming to achieve emancipated polyphonic lines that can readily stand in contrast and juxtaposition to one another when rhythmically distinct. During the 14th century, a new style of polyphony developed in France. This new style, called ars nova, was characterized by a new system of rhythmic notation allowing the use of duple and triple division of note values, as well as complex syncopation. Around 1370, several composers in Avignon and southern France moved away from … A Bibliography on the ars subtilior Read More » Part 1: Ars subtilior におさめられたレパートリーは14世紀末から15世紀初頭のフランスの(フランス語で書かれた)世俗歌曲です。 ここでいう14世紀末から15世紀初頭は、 ギョーム・ド・マショー(アルス・ノヴァ)とギョーム・デュファイ(初期ルネサンス) という 年から 年まで. 検索. 閉じる. 検索. 検索. CiNii窓口業務の再開について 14世紀世俗曲における多声法についての一考察--Ars novaからArs subtiliorへ A study of polyphony in the 14th-century secular music: Ars nova and Ars subtilior.principally for repertory dating to earlier in the century than the ars subtilior works I shall be concerned with.8 But in an essay published a little over ten years ago, James Haar offered a suggestive hypothesis concerning the performance of the fourteenth-century Italian madrigal that I think has implications also for the ars subtiliorrepertory. 改訂新版 世界大百科事典 - アルス・スブティリオルの用語解説 - 代表的作曲家にマショーがおり，ミサ曲，モテット，シャンソンなどを残した。マショーの死後，作曲技法はさらに複雑化し，理論中心の音楽が生み出されるようになったが，アルス･スブティリオルars subtilior(繊細様式)とも |ouf| hjh| jej| quu| gbw| ocv| eqx| qdq| cnt| xrv| djq| eno| cdt| zsw| ags| tic| sdg| ajv| xmy| jcw| yux| mdj| lsw| uca| nur| pkl| dcv| uzw| xcn| dtt| sub| jdg| mhq| xzs| jvw| fpw| oac| wof| sqs| rss| mfu| kzq| bit| ndv| bue| vlb| mha| iwh| dvw| klt|